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The AI that creates any picture you want

How programmers turned the internet into a paintbrush. Subscribe and turn on notifications 🔔 so you don't miss any videos: http://goo.gl/0bsAjO Beginning in January 2021, advances in AI research have produced a plethora of deep-learning models capable of generating original images from simple text prompts, effectively extending the human imagination. Researchers at OpenAI, Google, Facebook, and others have developed text-to-image tools that they have not yet released to the public, and similar models have proliferated online in the open-source arena and at smaller companies like Midjourney. These tools represent a massive cultural shift because they remove the requirement for technical labor from the process of image-making. Instead, they select for creative ideation, skillful use of language, and curatorial taste. The ultimate consequences are difficult to predict, but — like the invention of the camera, and the digital camera thereafter — these algorithms herald a new, democratized form of expression that will commence another explosion in the volume of imagery produced by humans. But, like other automated systems trained on historical data and internet images, they also come with risks that have not been resolved. The video above is a primer on how we got here, how this technology works, and some of the implications. And for an extended discussion about what this means for human artists, designers, and illustrators, check out this bonus video: https://youtu.be/sFBfrZ-N3G4 Midjourney: www.midjourney.com List of free AI Art tools: https://pharmapsychotic.com/tools.html Sources: https://arxiv.org/abs/1511.02793 https://arnicas.substack.com/p/titaa-28-visual-poetry-humans-and?s=r https://va2rosa.medium.com/copyright-storm-authorship-in-the-age-of-ai-baba554aa617 https://tedunderwood.com/2021/10/21/latent-spaces-of-culture/ https://medium.com/artists-and-machine-intelligence/a-journey-through-multiple-dimensions-and-transformations-in-space-the-final-frontier-d8435d81ca51 https://jxmo.notion.site/The-Weird-and-Wonderful-World-of-AI-Art-b9615a2e7278435b98380ff81ae1cf09 https://ml.berkeley.edu/blog/posts/clip-art/ https://multimodal.art/ https://openai.com/blog/dall-e/ https://openai.com/blog/clip/ https://openai.com/dall-e-2/ https://laion.ai/laion-5b-a-new-era-of-open-large-scale-multi-modal-datasets/ https://arxiv.org/abs/2110.01963 Make sure you never miss behind the scenes content in the Vox Video newsletter, sign up here: http://vox.com/video-newsletter Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com Support Vox's reporting with a one-time or recurring contribution: http://vox.com/contribute-now Shop the Vox merch store: http://vox.com/store Watch our full video catalog: http://goo.gl/IZONyE Follow Vox on Facebook: http://facebook.com/vox Follow Vox on Twitter: http://twitter.com/voxdotcom Follow Vox on TikTok: http://tiktok.com/@voxdotcom

Перестройка и 90-е. Как умерло советское кино и чем удивляли фильмы новой России

Каким было перестроечное кино и почему оно на самом деле продолжало советские традиции? Как изменились фильмы после распада СССР? Какие темы были главными в отечественном кино в конце 1980-х и в 1990-х годах? И почему современные авторы так часто обращаются к этой эпохе? В этом видеоэссе мы рассказываем о кино перестройки и 1990-х годов, когда после долгожданной отмены цензуры родился самый мрачный период в истории отечественного кинематографа, а на экранах появлялись смелые, оригинальные и жесткие фильмы. Это время «Ассы», «Курьера», «Маленькой Веры», «Утомленных солнцем», «Блокпоста» и многих других картин, которые не бежали от реальности, а точно и честно ее препарировали. Это видео сделано в рамках спецпроекта по истории отечественного кино «Люди с киноаппаратами». Смотрите дополнительные материалы на странице спецпроекта – https://www.kinopoisk.ru/special/rushistory/ Другие ролики из этой серии – https://www.youtube.com/playlist?list=PLujArBdLBGUPbgGJKVs8pd7ToM6ojFZin 📽Список фильмов, использованных в видео – https://www.kinopoisk.ru/lists/movies/perestroika_and_90s_cinema/ ⚡️Для удобства завели в Telegram еще один канал для связи с вами – https://t.me/kinopoisk_videoessay. Там мы будем выкладывать и ссылки на видеоэссе, и интересные материалы по темам разборов.

Patrick Explains CROUCHING TIGER, HIDDEN DRAGON (And Why It's Great)

MODERATE SPOILERS: video discusses a lot of the story but not the ending Crouching Tiger, Hidden Dragon is one of the best movies of the 21st century and today WE'RE GONNA TALK ABOUT WHY Guest-starring my parents Help us make these videos: https://www.patreon.com/patrickhwillems MY VIDEO GEAR http://tinyurl.com/z9kb5ow ______________________________________ TWITTER: https://twitter.com/patrickhwillems FACEBOOK: https://www.facebook.com/patrickhwillems TUMBLR: http://patrickhwillems.tumblr.com/ INSTAGRAM: http://instagram.com/patrickhwillems ______________________________________ Music by Epidemic Sound ______________________________________ SEND ME SOME MAIL: Patrick Willems P.O. Box 380333 Brooklyn, NY 11238

The trick that made animation realistic

Rotoscoping changed animation forever. This is how. Almanac Hollywouldn't is our miniseries on big changes to movies that came from outside Hollywood. Watch all of the episodes right here on YouTube. Episode 1: https://youtu.be/NMkZpuiEqh8 Episode 2: https://youtu.be/stznrpS3_Gc Episode 3: https://www.youtube.com/watch?v=80CKTOjjZFQ Subscribe to our channel! http://goo.gl/0bsAjO One breakthrough made animation look natural. And it involved a clown dancing on a roof. In this episode of Vox Almanac, Vox’s Phil Edwards explores the beginning of rotoscoping, a technique animators can use to create realistic motion. Invented by Max Fleischer of Fleischer Studios (and echoed and practiced by many others), it involves taking filmed footage and using it as a traceable model for animation. The results are fluid and natural in a way animation had never been before. As the above video shows, it started with Max’s brother Dave dancing on a roof in a clown costume. Footage of that was then used to model the classic Koko the Clown cartoons, which formed the basis for many Fleischer Studios films. Today, animators still use techniques like rotoscoping to turn real movement into animation. Check out the original patent! https://patents.google.com/patent/US1242674A/en If you want to learn more about early animation, check out Fleischer Studios on the web and YouTube. https://www.youtube.com/channel/UCtCAhYwGZxcAPDpu5Q7ueKQ You can also read Man and Superman: The Fleischer Studio Negotiates the Real in Quarterly Review of Film and Video by J.P. Telotte, which describes the techniques used for the animated Superman series. https://www.tandfonline.com/doi/abs/10.1080/10509200802433020 The Fleischer Story by Leslie Cabarga is invaluable for any early animation fan and has lots of trivia you won’t find anywhere else. https://www.amazon.com/Fleischer-Story-Leslie-Cabarga/dp/0306803135 Vox.com is a news website that helps you cut through the noise and understand what's really driving the events in the headlines. Check out http://www.vox.com. Watch our full video catalog: http://goo.gl/IZONyE Follow Vox on Facebook: http://goo.gl/U2g06o Or Twitter: http://goo.gl/XFrZ5H

Stanley Kubrick on How to Adapt Novels Into Films

Talk with other aspiring filmmakers on our Discord Server: https://discord.gg/xxTqXXd Today we're learning from Stanley Kubrick about his thoughts on how to adapt novels into film, what it means to stay faithful to the original work, why actors are the missing tool for writers, and how to write theme into your stories. We focus on Stanley Kubrick's essay "Words and Movies" written a 1961 issue of Sight and Sound magazine. "Words and Movies" by Stanley Kubrick: http://btcfilm.co/WordsAndMovies Paring a novel into a two-hour film is a difficult task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick's adaptations have consistently been among the best Hollywood has to offer, while still not being exact replicas of the works they're based on. Of the most popular of his films, The Shining has a notorious adaptation history. Stephen King was not a fan from the liberties that Kubrick took. Chapters: 00:00 Introduction 00:24 "Words And Movies" Essay 00:50 The Best Type of Novel to Adapt 03:09 Let the Audience Discover the Theme 05:23 Actors Are the Most Neglected Writing Tool 09:09 What It Means to be "Faithful" 11:31 What Makes a Great Novel 14:49 Join our Discord server! Follow Me: Twitter: https://twitter.com/ntjrdn Instagram: https://www.instagram.com/ntjrdn/ ABOUT BEHIND THE CURTAIN Learn from real screenwriters... and then learn how that translates into your own writing process. Behind the Curtain takes the best pieces of advice and insight from professional screenwriters and deliver them to you in an easily watchable format. We're focused on creating a community of passionate screenwriters who are eager to grow together through learning from the best. Stanley Kubrick Adapted Filmography: Eyes Wide Shut (1999) Full Metal Jacket (1987) The Shining (1980) Barry Lyndon (1975) A Clockwork Orange (1971) Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) Lolita (1962) Spartacus (1960) Paths of Glory (1957) The Killing (1956) Stanley Kubrick on How to Adapt Novels Into Films https://youtu.be/Xxy5i71WP4w #stanleykubrick #filmmaking #screenwriting

Why are Yorgos Lanthimos Movies So Weird?

Stream Yorgos Lanthimos' newest film NIMIC and get 30 days free at http://mubi.com/thomasflight With the support of Creative Europe – MEDIA Programme of the European Union In The Lobster, director Yorgos Lanthimos constructs a bizarre and absurd world. In this video, I examine the unique way Lanthimos constructs the strange realities is creates in The Lobster, The Killing of A Sacred Deer, and his new short NIMIC. And how he uses those worlds for social commentary. Thank you to MUBI for collaborating on this video, by allowing me early access to NIMIC, and giving me free rein to incorporate footage from it into the video! // support my channel on Patreon: https://www.patreon.com/thomasflight // monthly newsletter: https://thomasflight.substack.com/ // TWITTER: https://twitter.com/thomasflight // WEBSITE: http://www.thomasflight.com // FACEBOOK: http://www.facebook.com/thomasflight // MERCH: https://www.thomasflight.com/merch // sponsorship and business inquiries: [email protected] // questions, feedback, press, or anything else: [email protected]

Как «Крестный отец» навсегда изменил кино

Как «Крестный отец» переизобрел жанр гангстерского фильма? Кто на самом деле главный герой первой части? Как режиссер Фрэнсис Форд Коппола и оператор Гордон Уиллис с помощью визуальных приемов показывают грехопадение Майкла Корлеоне? И почему продолжение всем понравилось, а третья часть провалилась? В этом видеоэссе анализируем, как устроена трилогия «Крестный отец» и как она повлияла на мировое кино. Для удобства завели в Telegram еще один канал для связи с вами – https://t.me/kinopoisk_videoessay. Там мы будем выкладывать и ссылки на видеоэссе, и интересные материалы по темам разборов. Аудиокнигу Марио Пьюзо «Крестный отец» в исполнении Максима Суханова можно послушать здесь — https://music.yandex.ru/album/21536676 Треклист: 00:01 — Jacky Delance & Jacques Ferchit - Cinecitta Nostalgia 01:11 — Nino Rota - Love Theme From "The Godfather" 01:18 — Jacky Delance & Jacques Ferchit - Cinecitta Nostalgia 01:51 — Luca Proietti & Stefano Torossi - Mafia Woman 06:02 — Marc Dall-Anese - Detection 07:02 — Nino Rota - The Baptism 07:37 — Marc Dall-Anese - Detection 09:04 — Francesco De Luca & Alessandro Forti - Criminal Profiling 11:23 — Nino Rota - The Godfather Finale

The Subtle (and Not So Subtle) Sounds of Clint Eastwood

More than gunshots and cowboy boots, see how this venerable director utilizes a vast array of sound.