Большой Обзорский. Страница 5

GUILLERMO DEL TORO’S CABINET OF CURIOSITIES | Official Trailer | Netflix

Guillermo del Toro - the master of horror - presents a collection of unprecedented and genre-defining stories that will challenge our traditional notions of horror. Guillermo Del Toro’s Cabinet of Curiosities is an anthology of sinister stories, told by some of today’s most revered horror creators - including the directors of The Babadook, Splice, Mandy, and many more. Unlock Your Fears with Guillermo del Toro’s Cabinet of Curiosities SUBSCRIBE: http://bit.ly/29qBUt7 About Netflix: Netflix is the world's leading streaming entertainment service with 221 million paid memberships in over 190 countries enjoying TV series, documentaries, feature films and mobile games across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any Internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. GUILLERMO DEL TORO’S CABINET OF CURIOSITIES | Official Trailer | Netflix https://youtube.com/Netflix Bizarre nightmares unfold in eight tales of terror in this visually stunning, spine-tingling horror collection curated by Guillermo del Toro.

Astérix and Obélix : The Middle Kingdom - Official Teaser

A film by Guillaume Canet, with Guillaume Canet (Astérix), Gilles Lellouche (Obélix), Vincent Cassel (César), Jonathan Cohen (Graindemaïs), Marion Cotillard (Cléopâtre), Julie Chen (Princesse Fu Yi), Leanna Chea (Tat Han), José Garcia (Biopix), Manu Payet (Ri Qi Qi), Ramzy Bedia (Epidemaïs), Bun-Hay Mean (Deng Tsin Qin), Linh-Dan Pham (L’impératrice), Tran Vu Tran (Prince Du Deng), Zlatan Ibrahimović (Antivirus), Pierre Richard (Panoramix), Philippe Katerine (Assurancetourix Le Barde), Jérôme Commandeur (Abraracourcix Le Chef), Audrey Lamy (Bonemine), Franck Gastambide (Barbe Rouge), Vincent Desagnat (Perfidus), Orelsan (Titanix), Laura Felpin (Carioca), Issa Doumbia (Baba), Thomas VDB (Sinus), Marc Fraize (Plexus), Bigflo (Abdelmalix), Oli (Toufix), Carlito (Cubitus), Mcfly (Radius), Yann Papin (Abribus), Angèle (Falbala), -M- (Remix), Chicandier (Ordralfabetix) et Gérard Darmon (Le Narrateur) In French cinemas on February 1st. It’s the year 50 BC. The Empress of China has just been imprisoned following a coup d’état incited by Deng Tsin Qin, a traitorous prince. Helped by Finalthesis, the Phoenician merchant, and her faithful bodyguard Mai Wei, the Empress’ only daughter Princess Sass-Yi flees to Gaul to ask for help from two valiant warriors Asterix and Obelix, who are endowed with superhuman strength thanks to their magic potion. Our two inseparable heroes gladly accept to help the Princess save her mother and free her country. And thus begins a great voyage and adventure on the road to China. But Caesar and his powerful army, thirsty for a new conquest, are also heading toward the Middle Kingdom...

Curve | Disturbing Horror Short Film

Clinging to a smooth, curved surface high above a sentient abyss, a girl tries to cover the few feet back to safety without losing purchase and falling to her death. A selection of Short of the Week, the web's leading curators of quality short films. SUBMIT A FILM: https://www.shortoftheweek.com/submit/ FULL REVIEW: https://www.shortoftheweek.com/2017/06/19/curve/ Subscribe to S/W on YouTube! Website: http://www.shortoftheweek.com Instagram: https://www.instagram.com/ShortoftheWeek Facebook: https://www.facebook.com/shortoftheweek Twitter: https://twitter.com/shortoftheweek CURVE Written and Directed by Tim Egan "Winner of ‘Best Short’ awards at both Fantastic Fest and Sitges in 2016, Tim Egan’s 10-min Horror Curve is a dark, minimalist, and truly unsettling film. Simple in premise, but immeasurable in impact, prepare yourself for what is set to be one of the most tense and unforgettable shorts you’ll witness in 2017. Reminiscent of one of my favourite long-shorts (if an almost 50-minute film can really be classified as a short?), Shinya Tsukamoto Haze, Curve is at its most powerful when putting you inside the headspace of its doomed protagonist. An uncompromising, physical watch, Egan’s film sends shivers down your spine as you imagine your own fingernails desperately clawing to that unforgiving concrete, in hope of getting any kind of traction. It’s really hard not to watch Curve without setting your mind racing about what you’d attempt in that situation – however horrifying and hopeless it might be! Taking just 8 hours to write, from first concept to shooting script, Curve was inspired by two key moments in the director’s life – the first being hit by a car and the second a conversation with a depressed friend. “I still remember the feeling of wet tarmac under my fingers” Egan recalls when describing his lucky escape after being knocked into the centre lane of busy traffic, where he gripped the asphalt preparing to be struck by a second car in a matter of seconds. Whilst this first experience was an undeniable physical one for the writer/director, the second influencing experience was a much more mental one. Describing a conversation he had with a friend struggling with grief, where she explained that “the only good moments of her day being the seconds after she woke up”, Egan obviously had some more symbolic intentions coursing under the surface of his thoughts when writing Curve. “Her mind was clear and at peace for a few seconds before she remembered her pain”, he recalls. “Then grief rushed in, a feeling not unlike vertigo. She said the earth opened up beneath her and the rest of her day was simply about holding on by sheer force of tension”. Despite knowing this particular influence on Egan’s script, Curve feels like a film better left unscrutinised. Yes we could talk about all the metaphors (or is it allegory?) in the scenario of a bloody woman clinging to the precipice of life. But Egan’s is a short best enjoyed without all this bullshit. A film best enjoyed in the moment, a film best enjoyed for its raw, uncompromising approach – however uncomfortable that may be." - S/W Curator Rob Munday CREDITS DIRECTOR Tim Egan SCREENWRITER Tim Egan PRODUCER Ahren Morris EDITOR Tim Egan CINEMATOGRAPHER Tim Egan CAST Laura Jane Turner Reproduced on this channel with the permission of the filmmakers.