ножик арнонкура. Страница 2

"Умай" беренче опера лабораториясенә багышланган матбугат конференциясе

Анкета волонтёра - Airtable

Fill out the "Анкета волонтёра" form quickly and securely on Airtable.

Олександр Маноцков - Пливи, рибо…

Фрагмент нової пісенної програми "Псалми і танці" на вірші українських поетів різних епох, представленої в рамках ГогольFest 2017. Олександр Маноцков (Росія). Струнний квартет: Наталія Гордєєва, Кирило Бондар, Наталія Онищук, Анна Кузіна. «Пливи, рибо…» Пливи, рибо, пливи – ось твої острови, ось твоя трава, ось твоя стернова: править твій маршрут, шиє тобі парашут, пасе тебе в глибині при своєму стерні. Коли зелені зірки падають в гирло ріки, тоді твоя стернова промовляє слова: це ось – мої сни, це – рибальські човни, це – ніч, це – течія, це – смерть, певно, моя. Життя – це тиша й сміх. Його стане на всіх. Його вистачить всім – всім коханням моїм. Тому лети, рибо, лети – я знаю всі мости, знаю всі маяки, роблю все навпаки. Лише твої слова, лише таємниці й дива, лише сповідь і піст в одному з портових міст. Кохай, рибо, кохай, хай безнадійно, хай, хай без жодних надій – радій, рибо, радій. Любов варта всього – варта болю твого, варта твоїх розлук, варта відрази й мук, псячого злого виття, шаленства та милосердь. Варта навіть життя. Не кажучи вже про смерть. © Сергій Жадан

Феминистское Антивоенное Сопротивление

Объединимся в борьбе за мир!

23 февраля 2022 г.

Борис Виан, Дезертир. С подстрочником Натальи Колмановской 23.02.2022

Valery Gergiev, a Putin Supporter, Will Not Conduct at Carnegie Hall

The star maestro, scheduled to lead three high-profile Vienna Philharmonic concerts this week, will not appear after Russia’s invasion of Ukraine.

Rzewski - Coming Together (with score)

RIP Frederic Rzewski - died 26 June 2021. In September 1971, a riot broke out at the Attica Correctional Facility in upstate New York, demanding improved health care, sanitation, and food, as well as an end to beatings. Four days of tense negotiations followed, culminating in the storming of the prison by state police as ordered by Governor Nelson Rockefeller. At least 43 people died, including 33 prisoners.One of those was Samuel Melville (born Grossman; he borrowed Melville from the American novelist), a draftsman who became radicalized by apartheid when his company put him to work on new bank offices in South Africa. He became increasingly active in political demonstrations, which escalated into a series of bombings in 1969. Melville pleaded guilty to conspiracy and bombing the Federal Office Building in Manhattan and was transferred to Attica, where he became one of the leaders of the prison rebellion. He was shot and killed during the retaking of the complex. A book of letters he wrote from prison was posthumously published, and Frederic Rzewski took his text for Coming Together from Melville’s letter of May 16, 1971 (which was first published separately in a magazine): "I think the combination of age and the greater coming together is responsible for the speed of the passing time. it’s six months now and i can tell you truthfully few periods in my life have passed so quickly. i am in excellent physical and emotional health. there are doubtless subtle surprises ahead but i feel secure and ready. As lovers will contrast their emotions in times of crisis, so am i dealing with my environment. in the indifferent brutality, incessant noise, the experimental chemistry of food, the ravings of lost hysterical men, i can act with clarity and meaning. i am deliberate – sometimes even calculating – seldom employing histrionics except as a test of the reactions of others. i read much, exercise, talk to guards and inmates, feeling for the inevitable direction of my life."“As I read it, I was impressed both by the poetic quality of the text and by its cryptic irony,” Rzewski wrote. “I read it over and over again. It seemed that I was trying both to capture a sense of the physical presence of the writer and, at the same time, to unlock a hidden meaning from the simple but ambiguous language. The act of reading and rereading finally led me to the idea of a musical treatment.”This treatment is the recitation of the text, a few words at a time, over a driving pentatonic bass line of steady 16th notes. The instrumentation is open and the piece can be performed by any number of players, though usually 8-10. Only the bass line is notated; all of the other parts are derived from it in ways specified by the composer. The overall form is also clearly defined, as are dynamics and articulation. (John Henken) Bass – Richard Youngstein Producer – Mike Sahl Vibraphone – Karl Berger Piano, Electric Piano – Frederic Rzewski Synthesizer – Alvin Curran Written-by [Text] – Sam Melville Viola – Joan Kalisch Trombone – Garrett List Engineer – Eddie Korvin Voice [Speaker] – Steve Ben Israel Saxophone [Alto] – Jon Gibson

Handel Overture from Oreste HWV A11 Thomas Hengelbrock

Ontological fugue - the fugue that explains itself.

When music goes meta...