WAVES. Страница 5

Laurent Garnier - Rex Club Paris 2011 (Electronic Beats TV) From the Archives.

Laurent Garnier is without a doubt one of the most important and well-known DJs in the world. Never pinned down to just one style, his sets have always been very eclectic traversing through techno, house and beyond often with extensive sets. His new album, entitled '33 Tours Et Puis S'en Vont' is a tribute to the dance floor and at the same time he announced his intention to cut back on gigs in the future. He has canceled all gigs leading up to the summer for health reasons. We wish Laurent all the best and would like to take this chance to pay our respect by re-releasing this video, which we shot with him in 2011 at the Rex Club in Paris for our Slices DVD series, back into focus. For new videos keep an eye on our channel. We have videos with Lake Haze, Violet, Carpets & Snares, DJ Marfox and a Tech Talk with VIL in the making. Plus a new Blind Test with the theme 2000s Minimal Techno and a feature on 13 year old House producer MaxJax from near Derby in England.

Hannah Diamond | HÖR London Takeover - Apr 24 / 2023

🌎HÖR ON TOUR🌎 For the entire month of April, our shows are live-streamed from our pop location in London! Lock into our program Monday to Friday, 6PM-10PM (GMT) or come say hi if you spot us! For 5 consecutive Saturdays, we’ll be taking over London’s venue Phonox. The first event is kicking off on April 8th! Prior to each event, you have the opportunity to take part in a panel talk + Q&A with the artists. More info via the link - https://linktr.ee/hoerlive -- Discover Track IDs, enter the live chat and find out more about your favourite artists by visiting our website: https://hoer.live/ Keep the comment section respectful. Any form of hate speech is not welcome. If you do not comply with our policy, your comment will be deleted and you will be removed from the channel.

Arca - Яitual

Arca - Яitual https://mutant.ochre.store https://arca.ffm.to/ritual #arca #Яitual #kick

один птица два птицы

Инстасамка оказалась величайшей... туси-джуси....очень нравится. https://www.youtube.com/watch?v=DOzZd13UQ7o&list=RDDOzZd13UQ7o&start_radio=1

Caroline Polachek w/ Oklou - Teardrop [Massive Attack] (Union Transfer, Philadelphia 11/29/21)

Caroline Polachek on her "Heart is Unbreaking" tour. I originally did not plan on attending this show since I was working. However at the end of the day, there was no way I was going to miss Caroline if it was within my power to do so. So I took off work and drove out from NYC. Honestly it was one of the best CP shows I've been to thus far, and I've been to a LOT! Shout out to Carlo and Alessandro showing up early and holding down spots in line in the cold. Y'all are warriors. I only shot a few of the songs since I wanted to do more photos and be more present during the show. The icing on the cake for the show was getting Caroline's setlist. Either way I've got two more shows before the end of the year, Terminal 5 in NYC, and yes I'm flying out to Salt Lake City to see her play. Sony RX100mV

Smile Please

Provided to YouTube by Supernature Ltd. Smile Please · Dean Blunt · Elias Rønnenfelt Smile Please ℗ 2023 WORLD MUSIC Released on: 2023-04-20 Producer: Dean Blunt Music Publisher: Copyright Control Composer: Dean Blunt Lyricist: Elias Rønnenfelt Auto-generated by YouTube.

Azymuth - Unknown Jam

Buy Azymuth Demos (1973-75) from the links below Far Out Shop: https://www.faroutrecordings.com/products/azymuth-demos-1973-75-volume-1-and-2 Bandcamp: https://azymuth.bandcamp.com/album/demos-1973-75-volumes-1-2 Stream on Spotify: https://open.spotify.com/album/2c92kinoVQhpxih4mkB5JZ Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid. But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil. Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward. Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound. These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’. One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers. When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996). Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form. On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work. http://www.faroutrecordings.com http://twitter.com/faroutrecs http://www.facebook.com/faroutrecs https://www.instagram.com/farout_recordings/ http://soundcloud.com/faroutrecs