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Andy Warhol's 'Empire'

The full version of Andy Warhol's Empire. Empire is a 1965 American black-and-white silent art film by Andy Warhol. When projected according to Warhol's specifications, it consists of eight hours and five minutes of slow motion footage of an unchanging view of New York City's Empire State Building. The film does not have conventional narrative or characters, and largely reduces the experience of cinema to the passing of time. Warhol stated that the purpose of the film was "to see time go by." A week after the film was shot, experimental filmmaker Jonas Mekas (who was cinematographer for Empire) speculated in the Village Voice that Warhol's film would have a profound influence on avant-garde cinema. In 2004, Empire was included in the annual selection of 25 motion pictures added to the National Film Registry by the Library of Congress, who deemed it "culturally, historically, or aesthetically significant". Empire was filmed at 24 frames per second, and is meant to be seen in slow motion at 16 frames per second, extending its 6+1⁄2-hour length to 8 hours and 5 minutes. The film consists of a stationary view of the Empire State Building lasting the entirety of the running time. The film begins with a blank white screen, a result of the camera being calibrated for nighttime filming. As the sun sets almost imperceptibly, the figure of the building emerges and its details become clearer. As the sun sets further, the building is enveloped in darkness. The building’s floodlights are turned on, illuminating its upper levels and spire. Lights in the windows of other structures go on and off. In the background, a beacon atop the Metropolitan Life Insurance Company tower flashes at intervals corresponding to every 15 minutes in real time (it flashes a single time every 15 minutes and at hour it flashes the time of day). Eventually, the floodlights go dark and the image in the remainder of the film is nearly total darkness. At three points in the film, the reflections of the crew, including Warhol, are seen in the windows of the Rockefeller Foundation office, where the work was filmed, as the office lights were not shut off before the crew started shooting after changing the film magazines. The initial idea for Empire came from John Palmer, a young filmmaker affiliated with Jonas Mekas. Palmer had been sleeping occasionally on the roof of Mekas's Film Maker's Cooperative, which had an impressive view of the tower, only a few blocks away. He told Mekas that he thought an image of the floodlit building would make a good Warhol film, and Mekas passed the idea to Warhol. Around the time Warhol considered the idea, he had completed (in late 1963) his first extended-length film, the 5-hour Sleep, which shows multiple views of a man sleeping; Empire was his second long film. In April 1964, the upper 30 floors of the Empire State Building were floodlighted for the first time in connection with the opening of the New York World's Fair in Queens. As the only floodlit skyscraper in New York City, the impact of the lighting was dramatic, with one person calling the tower's illuminated crown "a chandelier suspended in the sky". The floodlights were essential to Warhol's concept for the film, as there would be almost nothing to see without them. For a shooting venue, Warhol made arrangements to use an office belonging to the Rockefeller Foundation on the 41st floor of the Time-Life Building at 51st Street and 6th Avenue. Cinematography took place overnight on July 24 and 25, 1964. Present for filming were Mekas, Warhol, Palmer, Gerard Malanga, Marie Desert (Mekas' girlfriend), and Henry Romney (of the Rockefeller Foundation). From the window at the northeast corner of 51st Street and 6th Avenue, the camera was pointed southeast toward the Empire State Building at 34th Street and 5th Avenue, taking in the Metropolitan Life Insurance Company tower with its blinking beacon at the corner of Madison Avenue and 24th Street, and the bulkier New York Life Insurance Company building at Madison Avenue and 26th Street. In contrast to Warhol's earlier…

‘Oppenheimer’ Crosses $500M Global, Will Reach $550M+ Through Sunday; Overtakes ‘Dunkirk’ WW

Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all …

Внутренняя кухня | Трейлер | Амедиатека (2023)

Головокружительная драма, где талант сталкивается с миром криминала. Главная героиня сериала «Внутренняя кухня», шеф-повар Адриана, строит карьеру и мечтает о мишленовских звездах. Однако ее жизнь круто меняется, когда она случайно связывается с организаторами подпольных игр в покер. Ее ресторан становится территорией вне закона, где в любой момент может произойти что угодно. Чувствуя, что она теряет контроль над собственной судьбой, Адриана пытается взять себя в руки и вступить в борьбу с криминальными силами, захватившими ее жизнь и работу. Премьера: 11 августа 2023. Актеры: Аннабель Лангронн, Венсан Энен, Бастьен Бернини. ⚡Смотрите сериал «Внутренняя кухня» в Амедиатеке. 🔔Подписывайтесь на новые релизы: http://goo.gl/TVMXjG Официальный сайт — http://www.amediateka.ru Telegram — https://t.me/amediatekatv Вконтакте — https://vk.com/amediateka Дзен — https://zen.yandex.ru/amediateka Twitter — https://twitter.com/amediateka Rutube — https://rutube.ru/channel/24122931/

Richard Kelly on Creative Heartbreak, Political Cinema, and Future Projects

First things first: I was kindly told not to ask Richard Kelly about any forthcoming projects. It will soon be 14 years since his much-better-than-you-remember The Box, and the writer-director's cult legend––already considerable by 2009, just eight years since Donnie Darko and two after Southland Tales' botched theatrical release (or three from its notorious Cannes

#мартимертв | Трейлер | Амедиатека

Первый чешский сериал, номинированный на главную телевизионную премию в мире – «Эмми» – и получивший на ней награду как лучший короткометражный сериал в 2020 году. Марти, 15-летний школьник из благополучной семьи, трагически погибает под колесами грузовика. Отец подростка раздавлен этим событием, но собирается с силами и решает сообщить об этой печальной новости друзьям сына в соцсетях. Но когда он открывает аккаунт мальчика, то находит несколько доказательств того, что его смерть была не случайной. Теперь он обязан выяснить, что же случилось, и наказать виновных. Премьера: 30 июня 2023. Актеры: Якуб Немчок, Ян Грандмэн, Петра Бучкова, Томаш Бамбушек. ⚡Смотрите сериал «#мартимертв» в Амедиатеке: https://amka.tv/martyisdead 🔔Подписывайтесь на новые релизы: http://goo.gl/TVMXjG Официальный сайт — http://www.amediateka.ru Telegram — https://t.me/amediatekatv Вконтакте — https://vk.com/amediateka Дзен — https://zen.yandex.ru/amediateka Twitter — https://twitter.com/amediateka Rutube — https://rutube.ru/channel/24122931/ #мартимертв #martyisdead #Амедиатека

Великая ирония | Трейлер | В кино с 28 сентября

Осенний Париж всегда особенно романтичен. Словно по иронии судьбы, успешная, но несчастная в браке Фанни сталкивается там со своим одноклассником, которого не видела много лет. Вспоминая беззаботную юность в Нью-Йорке, она решается на роман с обаятельным писателем, который терял от неё голову ещё в школьные годы. Но когда ревнивый муж начинает что-то подозревать, невинная интрижка постепенно превращается в порочную игру, ставкой в которой может быть сама жизнь… Подписывайтесь и следите за новостями о наших фильмах: VK: https://vk.com/vlgfilm OK: https://ok.ru/vlgfilm TG: https://t.me/volgafilms Дзен: https://zen.yandex.ru/vlgfilm

The Kill Room | Official Trailer | In Theaters September 29

The Kill Room | In Theaters September 29 | Official Trailer Subscribe to SHOUTSTUDIOS: http://bit.ly/1nm0dKP Follow us on TWITTER: https://twitter.com/shout_studios Like us on FACEBOOK: https://www.facebook.com/shoutstudiosofficial The Kill Room is a dark comedic thriller follows an art dealer (Uma Thurman) who teams with a hitman (Joe Manganiello) and his boss (Samuel L. Jackson) for a money laundering scheme that accidentally turns the hitman into an overnight Avant-Garde sensation, forcing the dealer to play the art world against the underworld. https://shoutstudios.com/ A diversified multi-platform media company devoted to producing, uncovering, preserving and revitalizing the very best of pop culture, Shout! Factory’s entertainment offerings serve up first-run feature films, original, contemporary, and classic TV series, animation, live music and comedy specials. Shout! Factory owns and operates Shout! Studios, Scream Factory, Shout! Factory Kids, Mystery Science Theater 3000, Timeless Media Group and Shout! Factory TV.

Hotelroom Freakout Scene - Apocalypse Now

Hotelroom Freakout Scene - Apocalypse Now Martin Sheen Method Acting mirror breaking scene Martin Sheen drunk and nearly naked. Taking Method acting to the extreme, he was truly inhabiting the character of Captain Benjamin L. Willard awaiting orders in a Saigon hotel room. Sheen moved snakelike around the room in bikini briefs, performing karate moves, when he caught sight of himself in a mirror. Repelled by the vision, he smashed the glass. As his hand gushed, he smeared the blood over his face and body. It was the actor’s 36th birthday, and director Francis Ford Coppola just kept the camera rolling. “I was swacked,” Sheen told the Guardian in 2001, “couldn’t hardly stand up.” The now iconic hotel-freakout scene of Apocalypse Now reflects the improvisational alcohol- and drug-fueled insanity that marked both the movie’s narrative arc and the behind-the-scenes chaos of the production itself.